Articulate

S5 E23 | CLIP

Nick Phan: Forging Connection

Nick Phan: Forging Connection
The award-winning tenor, Nicholas Phan explores the world in song, merging cultures while uncovering immense value in all of our differences.

AIRED: March 13, 2020 | 0:07:16
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TRANSCRIPT

(bright music)

(mysterious music)

When the philosopher and historian Hans Kohn

recorded this rosy sentiment in his 1944 book

"The Idea of Nationalism," two world wars

had already proven that conflating one's birthplace

with one's identity was a powerfully double-edged sword.

After the Great War and the dissolution

of the Austro-Hungarian Empire,

national borders throughout Europe were redrawn

along more culturally cohesive lines,

thus giving smaller ethnic groups

greater autonomy over their own affairs.

- Inherent in freedom is chaos,

and inherent in defining oneself,

one has to define the Other.

Ultimately, I think

the greatest naivete about it

is this idea that anybody is just one thing.

(singing in foreign language)

- [Jim] The internationally celebrated lyric tenor

Nicholas Phan has just completed an exploration

of the role of the art song defining national identity.

But even before this, he had already struggled to balance

the different parts of his own identity.

Phan grew up in Ann Arbor, Michigan in the 1980s

to a second-generation Greek-American mother

and a father who was born in China.

Both were deeply connected to their cultures of origin.

As a result, the young Phan felt alienated

from the place where he grew up.

It all came to a head in 2003, when a 24-year-old Phan

entered the BBC Singer of the World competition.

- I always describe it to people as Miss Universe

for voice (chuckles) and opera.

- [Jim] Competitors were asked to bring

songs from their home countries.

But while the other singers easily

embraced this directive, Phan faltered.

- I didn't feel American enough.

And I was afraid of appropriating

something that wasn't mine.

- What did you end up singing,

and what would you sing today, were the circumstances

to be presented to you again?

- What I ended up singing were some songs by John Musto

that were settings of Langston Hughes poems.

I think in the end, I probably would've chosen

"At the River" by Aaron Copland,

but I did not have that courage, at that time.

- [Jim] A decade later, the question of who is entitled

to what national identity came up for Phan once again.

His first two albums were of music by the great

20th century British composer Benjamin Britten.

Both were well-received,

in part because of Phan's outsider perspective.

- The thing about the experience was,

I thought, revelatory to me, because it actually showed me

that, oh, I can have that courage.

But for some reason, because that was Other, that felt safe.

I can have the same courage with my own music,

with American music, and so, in this roundabout way,

I feel that I have found my own courage

to perform our music,

by going through these European composers,

and having the boldness to interpret their music, as well.

("At the River")

♪ Yes, we'll gather by the river ♪

♪ The beautiful

♪ The beautiful river

♪ Gather with the saints

♪ By the river

♪ That flows by

♪ The throne of God

- [Jim] Today, Nicholas Phan is a bold explorer

of far-ranging musical traditions.

He believes that music should invite outsiders in,

and act as a reminder of the things that we all share.

His most recent project examined how music,

specifically the art song,

has been used as both a hammer and a mirror,

forging and reflecting national identities across time.

He looked first to France during its Belle Epoque.

This was a golden age of prosperity,

productivity, and peace that began in 1871

in the wake of the Franco-Prussian War.

- They are trying to define a French aesthetic

in response to this Austro-German

thing that dominates Europe at the time.

And so you have this hotbed of intellectual

and artistic activity happening, and out of it is born

this French nationalist movement in art.

And most specifically, in poetry and in music.

(singing in foreign language)

- [Jim] For the early part of the 1900s,

creativity flourished, especially around Paris.

But everything changed in 1914.

The Great War devastated the entire nation.

Hardly anyone survived without scars, physical or emotional.

But from the rubble emerged some of the most remarkable

works of culture of modern times.

Phan sees this as a natural reaction to great loss.

- It destroyed families.

It's a traumatic event, I think, on so many levels,

and one of the ways we, as humans,

try and grapple with such large concepts, is through art.

It's how we come together, it's how we express our emotions.

- And how we feel, collectively.

- Yeah.

(singing in foreign language)

- [Jim] Without borders, Nicholas Phan explores

the musical territories that captivate him,

and in doing so, reminds us of what we all share.

(lively music)

- [Announcer] "Articulate" with Jim Cotter

is made possible with generous funding

from the Neubauer Family Foundation.

(bright music)

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