Esperanza Spalding’s Discipline(s)
Esperanza Spalding’s Discipline(s):
The highly distinguished musician, Esperanza Spalding does more than just make music, she’s trying to change the world.
♪ Touching surfaces every day
♪ Feeling no spark
♪ Of tenderness within
♪ Touch in mine
♪ Touch in mine
♪ Touch in mine
♪ Touch in mine
- [Jim] Esperanza Spalding's life in music
has been dense with accomplishment.
She picked up the violin at age five,
led an orchestra at 15,
and was teaching at her alma mater,
the Berklee School of Music, by 20.
Now in her mid-30s, she's released seven albums,
won three Grammys, teaches at Harvard,
and has been a longtime activist for the likes
of the Innocence Project, The Trust for Public Land,
and Bienestar, a nonprofit that builds low-income housing.
But at the outset, "There was no ambition," she says,
"only a deeply felt compulsion."
- Playing music and coming up with songs and practicing
just felt better than everything else.
That's why I kept at it, and when you're young,
and you find something you're good at,
you of course are drawn to it.
It's such a surprise to discover that you have an ability,
that sets you apart from other people,
anyway, in some way.
♪ No more acting
- [Jim] Spalding has continued to set herself apart
in lots of ways, since. ♪ Unconditional love
♪ Could we be real love
Her name, Esperanza, means hope in Spanish,
and after the release of her eponymous 2008 album,
the wordplay was irresistible.
But it went too far, to the point that in some circles,
she was held up not just as a new hope,
but as the Savior of Jazz.
And so pervasive was this sentiment
that it was even expressed in the Obama White House!
- [Announcer] The brightest young star on the jazz horizon,
(audience applauding) Esperanza Spalding.
- [Jim] Pressure mounted in 2011,
when she beat out a host of mainstream pop stars
to win the Grammy for best new artist.
(audience applauding) - Wow!
- [Jim] But when Esperanza Spalding's mother named her,
it was more a wish than a declaration.
- She was in a moment of severe crisis.
It was a horrible time in her life,
and she was barely surviving, had my big brother,
and found out she was pregnant,
and my father had just been arrested,
and he wasn't gonna come back,
and she didn't want him to come back,
and it was like total chaos!
And she was like, "Okay, I don't know
"if this is a boy or a girl, but whoever they are,
"this is gonna be a turning point in my life."
- Worked out okay for her, I think.
- Yeah, I was a pretty wild child, but yeah,
I think it was, not just my birth, but you know,
we always have that power, I think, in some ways to decide,
like okay, (inhales loudly) time for a change!
And her pregnancy with me was that catalyst.
♪ Radiates x-ray like
♪ To the heart behind the mask
- [Jim] Spalding was not content to be branded
as a jazz artist for long.
The label, she says, was not fair to her or to jazz.
- It's really sensational,
but certain entities around me stood to benefit
from me doing well within a field that didn't have
a lot of people who looked like me in it.
And my love for the music, also, I wanna be at a festival
with all these mofos, of course!
So I wasn't gonna be like, no, don't book me at North Sea.
It took a while to kind of catch up
to the disparity, though.
I felt like, oh, you know, the truth is,
I'm not thinking about or pursuing a jazz aesthetic,
whatever that means anymore, in the music,
and actually, I don't want what I'm doing
to be held up as the canon of this music,
'cause that's not fair to the real canon of the music.
♪ Your mind
♪ Round every wound
♪ You just needed some time
- [Jim] Spalding's 2018 project
was one of her most adventurous yet.
Each track on "12 Little Spells" was created
to evoke sensations in specific regions of the body.
But whether or not the spells actually work
is academic to Esperanza Spalding.
- Whatever happens, it's good music, you know?
That's how I feel.
I will pursue, explicitly, a degree
that's grounded in the psychology and the neurobiology
of healing through the lens of music therapy.
So I sort of see this as my freebie, you know?
This is where I get to explore those themes
without the burden of a degree that says,
you have to back it up with the scientific data.
So this was a place to explore these themes
basically through intuition and experience,
which is what artists are always doing.
So this is my freebie to just use that
mode of inquiry to create these spells.
And tracking them myself, (laughs) in my own body,
and tracking it with the co-creators of the videos,
of the show, musicians in the studio.
We would sometimes, when we were working on an arrangement,
refer back to the intended effect of the spell,
and how I had written, I had written it to have that effect,
and we would use that to inform how we did the arrangement.
("12 Little Spells")
♪ Twelve little wells
♪ Of golden ink
♪ Bone bottles stacked
♪ Mouth to tail
♪ Arcing your back
♪ Into the same curve
- [Jim] Though Esperanza Spalding has been
willing to indulge her instincts,
she also believes in rigorous study.
One of the courses she teaches at Harvard,
Applied Music Activism,
requires students to methodically evaluate
their efforts to propagate social change,
something she wishes she had been
forced to do a long time ago.
- Nobody else held me accountable
to show that what I was doing was actually
moving a needle on anything,
and I didn't really even know how to do it.
And I would get involved in other people's campaigns
and sometimes feel like,
is this just to make us feel better?
Is this to just make us, us 35 people
in this house in Hillsboro, Oregon,
who believe in the ACLU, feel better,
like we've done something today?
And if so, that's not enough.
So really, what we're talking about
is the practice of holding ourselves accountable
and doing the work to design a campaign that we can track.
I think stepping into the work of engaging
and activism as this sort of big umbrella term,
which hopefully means acting on your impulse to serve
and to help, to not just be angry 'cause stuff's messed up.
Within that, can we develop a practice
whereby every time we engage,
we're bringing with it a certain set of standards?
- [Jim] And so, Esperanza Spalding continues
to offer new, often surprising perspectives,
each project undertaken with curious optimism, with hope.
- [Announcer] "Articulate" with Jim Cotter
is made possible with generous funding
from the Neubauer Family Foundation.