“Grief and Grievance: Art and Mourning in America,” an exhibition originally conceived by the late Nigerian curator Okwui Enwezor, will open to the public Feb. 17 at the New Museum.
Comprising a myriad of art forms — including painting, sculpture, photography, video and more — the exhibition aims to address “the concept of mourning, commemoration and loss as a direct response to the national emergency of racist violence experienced by Black communities across America,” according to a statement from the museum. It will run through June 6, 2021, and include works by Jean-Michel Basquiat, Carrie Mae Weems, Hank Willis Thomas, Kara Walker, Rashid Johnson, Daena Lawson, Arthur Jafa, Okwui Okpokwasili and more.
“Grief and Grievance” will extend through all three main floors of the museum, exploring American history from the civil rights movement in the 1960s to the ongoing issue of police brutality still seen today with the Black Lives Matter movement.
Enwezor had hoped to open the exhibition at the time of the 2020 presidential election as a powerful response to former President Donald Trump’s racist politics. The late curator even points to Trump’s Oct. 2016 rally in Gettysburg, Pa., in the exhibition narrative, writing: “Trump’s rally was a surreptitious attempt to obscure and blur [Abraham] Lincoln’s statement and shape a completely new narrative of American purpose.”
To honor Enwezor’s intentions, the museum released the exhibition catalog ahead of the exhibition’s opening; it includes contributions by Ta-Nehisi Coates, Judith Butler, Claudia Rankine and more.
“‘Grief and Grievance: Art and Mourning in America’ is a tribute to Okwui Enwezor’s courage, relentless focus, and fierce intelligence as a giant in our field and one of the most important curators of his generation,” said Lisa Phillips, Toby Devan Lewis Director of the New Museum, in the statement. “His presence remains vivid, as does his legacy to transform the history of art and exhibition-making … Okwui’s vision and the voices of the artists selected for this exhibition could not be more relevant.”
Top Image: Dawoud Bey, Fred Stewart II and Tyler Collins, from the series “The Birmingham Project,” 2012. Archival pigment prints mounted on Dibond, 40 x 64 in (101.6 x 162.6 cm). © Dawoud Bey. Courtesy Rena Bransten Gallery, San Francisco, CA and Rennie Collection, Vancouver